The fundamental goal of the lecture is to develop an understanding of how, in addition to the narrative organization of the entire film exposition, there are other types of exposition in film (descriptive, conceptual, poetic, enumerative), each of which is initially developed in one of the basic genres of film (narrative in feature films, descriptive in news and documentaries, conceptual in educational and scientific films, poetic in experimental films, and enumerative in promotional and experimental films), but with great possibilities for their combination. The lectures, along with the analysis of film templates, would provide insight into the principles of organization of each type of exposition and the forms of their combination, and along the way, insights into the foundations of differences between film genres.

The fundamental goal of the lecture is to develop an understanding of how, in addition to the narrative organization of the entire film exposition, there are other types of exposition in film (descriptive, conceptual, poetic, enumerative), each of which is initially developed in one of the basic genres of film (narrative in feature films, descriptive in news and documentaries, conceptual in educational and scientific films, poetic in experimental films, and enumerative in promotional and experimental films), but with great possibilities for their combination. The lectures, along with the analysis of film templates, would provide insight into the principles of organization of each type of exposition and the forms of their combination, and along the way, insights into the foundations of differences between film genres.